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Foxes) (Ranny And Paulo Agulhari Mix) Pink - Just Give Me A Reason (Liam Keegan Remix) Jason Derulo - The Other Side (Davis Redfield Remix) Icona Pop - I Love It (Cajjmere Wray Private Remix - Dirty) Keha Vs Spencer Hill - Crazy Kids Vs 1234 (Nikki X Edit) Calvin Harris Ellie Goulding-I Need Your Love (Bombs Away Komes Remix) Imagine Dragons - Radioactive (Dberrie Remix) Ariana Grande Feat.

In the end, Owl Citys latest effort is another solid pop album to add to his discography and your record collection.

Owl City has single-handedly changed the landscape of pop music over the years, consistently putting out some of the best music the genre has these days.

Even when The Midsummer Station came out and fell a little short of expectations, he was still doing pop music better than most modern artists.

Last years Ultraviolet EP was no exception, nor is his fourth national full-length album, Mobile Orchestra.

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Full of catchy tunes and lots of surprises, 2015s musical offerings are getting a little bit sweeter this summer.

Admittedly, while I really enjoy this album, it has its fair share of misses; the opening song is one of them.

The current single, Verge, gets us started with an upbeat groove, and it even starts with guest vocalist Aloe Blacc (who you might know from Aviciis big 2013 single Wake Me Up).

The song is fun and danceable, but overall it feels empty and repetitive, like one big chorus over and over again.

The verses almost seem like they were all originally supposed to be the songs bridge, but some rewriting morphed them into verses.

Its hard to explain exactly why it seems this way, and its probably not correct, but hopefully it will make sense when you listen to the song.

Additionally, the country song Back Home and the albums closer, This Isnt The End (which also closed Ultraviolet ) are rather weak tracks, though theyre both still fairly enjoyable.

Not to stir up a debate here, but theres a stigma of old Owl City versus new Owl City.

Old Owl City was abstract, dreamy, lush, and full of sometimes-confusing metaphors; new Owl City is much, much less of that, and a lot more radio-friendly and accessible.

Mobile Orchestra seems to strike a decent balance between the two, leaning more toward new Owl City, but not quite as much as The Midsummer Station.

I Found Love is perhaps the closest thing we get to Ocean Eyes; set to music along the same pace as something like Vanilla Twilight, Adam Young delicately sings about Gods love: So lead me home and lift me up above the stars and even higher, Im not afraid because Your love, it falls like rain and burns like fire.

Regardless of your preference between old and new Owl City, there are definite gems on Mobile Orchestra.

Unbelievable may end up being this reviewers personal favorite, if only for the fact that it uses the power of nostalgia (and puns) to win its audience over.

First of all, it features Hanson - yes, the same Hanson that melted your mind with MMMBop in the 90s.

Young sings, When I was a kid I ate Spaghettios, played laser tag and G.I.

Joe, and if you vowed no girls allowed, then you could join the club, when I was a kid I spent my Saturdays blowing on Nintendo games, the newest thing was Lion King, and I could feel the love.

One of the Hanson brothers also gives us a knee-slapper: When I was a kid I still had VHS, watched Fresh Prince and Jazzy Jeff, Zach Morris owned the first cell phone, it was off the hook.

Oddly enough, Unbelievable reminds me an awful lot of The Midsummer Station s Good Time, but rest assured, this is a much better time.

Thunderstruck - which is NOT an ACDC cover - is a solid dance pop piece thats vaguely about the love of God, and both My Everything and Youre Not Alone are both decent songs that are also made-for-radio.

The last two feature the most outspoken Christian lyrics of any officially-released Owl City material yet; the latter of these even features Christian pop sensation Britt Nicole.

They sound like radio songs, and theyre very straightforward lyrically, but Owl City does well with it.

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